Poetry world

As a student, you tend to read poetry in anthologies, and certain poems are often anthologized and so become "the canon" that is taught.  I had to buy the Norton Anthology of Poetry in a college class along with many other undergraduates.

I saw an article on the Most Anthologized Poems of the Last 25 Years. It has the usual suspects on the list. If you look at the top dozen -

1. William Carlos Williams, �The Red Wheelbarrow�
2. T. S. Eliot, �The Love Song of J. Alfred Prufrock�
3. T. S. Eliot, �The Waste Land�
4. Robert Frost, �Birches�
5. Robert Lowell, �For the Union Dead�
6. Robert Lowell, �Skunk Hour�
7. Ezra Pound, �The River-Merchant�s Wife : a Letter�
8. W. H. Auden, �Musee des Beaux Arts�
9. Elizabeth Bishop, �One Art�
10. Gwendolyn Brooks, �We Real Cool�
11. Emily Dickinson, �Because I could not stop for Death ��
12. Robert Frost, �Stopping by Woods on a Snowy Evening�

If you are a reader of this blog, the chances are that you are NOT a poetry hater. But I discovered a book, THE HATRED OF POETRY, by Ben Lerner that is about those who do hate it.

Lerner is not a hater. He is the author of three books of poems and two novels. But he does feel there are haters.

In a review of the book by Craig Morgan Teicher, he starts by saying:

Although Ben Lerner�s latest book is titled �The Hatred of Poetry,� I am almost certain that poetry is less hated now than it has ever been. I don't think the readers who would be drawn to this book � poetry fans with their dukes up � actually need it at all. And an actual hater of poetry wouldn't get past the first page.

Lerner's book uses Marianne Moore�s poem �Poetry,� for its opening - "I, too, dislike it" but Moore continues:

Reading it, however, with a perfect contempt for it, one
discovers in
it after all, a place for the genuine.

As a poet, I meet lots of people who don't like poetry, though "hate" may be too strong verb to use. Blame school or blame poets and poems that plot not to be understood, I think poetery is more popular now than it was in the 20th century. I agree with the reviewer who says that "Poetry is read by a larger number of people than ever before, if only because it is written by more people than ever before, due in large part to the proliferation of MFA programs..."

Yes, it is an incestuous popularity. Poets love poetry. Poets buy poetry books and go to readings. Ask if you give a reading how many people in the audience are poets. A lot. And there are more readers who enjoy poems that allow them in without pain, and enjoy hearing poets read their work and talk about it.

That is always true at the Geraldine R. Dodge Poetry Festival which celebrates 30 years of gathering those kinds of people this October.

Finally, back to Moore's poem, which concludes:

In the meantime, if you demand on the one hand,
the raw material of poetry in
all its rawness and
that which is on the other hand
genuine, you are interested in poetry.

More end-of-year best book lists are being announced. There are the known and "official" best of lists, like the National Book Awards and there are plenty of lesser known ones.

Still time to grab an end-of-year poetry gift for a friend or for yourself.

The GoodReads website has its list of readers' choice book awards, including 20 books of poetry. There are a few titles or poets that I know, but the majority are ones I don't know. There is Felicity by Mary Oliver, but also the winning title, The Dogs I Have Kissed, by Trista Mateer who is "Known for her eponymous blog and her confessional style of writing, this is Trista Mateer's second collection of poetry."



Assuming that the list is simply based on votes by readers of the site, you can either see it as a real list of books readers enjoyed or a chance for lesser-known poets to have their friends vote them up. I'd like to believe it is the former, a kind of crowdsourced what-I-read-and-liked list. Either way, it brought to my attention some books I would not have seen otherwise.

Another list of 8 comes via the Flavorwire website.  

I occasionally look at Amazon's list of best-selling poetry books because it does mean something to know what people are buying. That list always has titles that seem like they were purchased by students for a class (lots of anthologies) and also a bunch of current titles. I'm not a big buyer of anthologies, but I can see someone buying 100 Best-Loved Poems in the way that I once bought the Miles Davis "Greatest Hits" album (knowing he never had any "hits") in the hope of getting the best in one place.

Looking through A Poet's Glossary, by poet Edward Hirsch, certainly offers many possibilities for writing prompts.

Hirsch has put together a very international collection of terms from A (as in abededarian) to Z (zeugma).

You might try writing a Bedouin women�s ghinnawa (highly stylized verses) or a style of gentle banter that originated as a sung verbal duel in the West Indies called picong.

There are also the more familiar terms that we were introduced to in school.

The book has been called a followup to Edward Hirsch�s best-selling book How to Read a Poem: And Fall in Love with Poetry from 1999 which contained a useful but limited  glossary.

For example, Hirsch defines "couplet" as two successive lines of poetry, usually rhymed (aa), which has been an elemental stanzaic unit�a couple, a pairing�as long as there has been written rhyming poetry in English. 

We call a couplet closed when the sense and syntax come to a conclusion or strong pause at the end of the second line, thus giving a feeling of self-containment and enclosure, as in the first lines of �To His Coy Mistress�:

Had we but world enough, and time,
This coyness, Lady, were no crime.

We call a couplet open when the sense carries forward past the second line into the next line or lines, as in the beginning of Keats�s Endymion (1818):

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness, but still will keep
A bower quiet for us, and a sleep

     Full of sweet dreams . . .

Ben Jonson told William Drummond that he deemed couplets �the brav�est Sort of Verses, especially when they are broken.� All two-line stanzas in English carry the vestigial memory of closed or open couplets.

In an interview, Hirsch explained his intent for the glossary:

I see this as a book for the initiated as well as for the uninitiated reader. People who don�t know much about poetry can find what they need to know about certain basics, like the nature of the line or the stanza, or the characteristics of a form, like the ghazal or the sestina. But there are also a lot of things in this book that even widely read readers of poetry may not know much about because they are outside our tradition. So, for example, you might not know to look up a form of African praise poem called the or�k�. If you care to think about praise poetry�what it is, how it functions�then the or�k� has a lot to tell you. To help the reader along different pathways, I�ve added �See also� at the bottom of every entry.

Curious about the abecedarian and zeugma?